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About The Book:
Boxed set of 2 volumes
10.5 x 7.5 inches
900 full-colour pages with approximately 1000 visuals
This self-portrait of the iconic Indian painter Amrita Sher-Gil (1913–1941) represents more than a life. For this book in two volumes, Amrita’s extant letters and writings are translated and reproduced from the originals, and in their entirety. The book draws on the primary text of these letters to open up a visual narrative around the artist’s oeuvre, complemented by a parallel text of notes that not only annotate but also entangle the personal in the web of contemporaneity.
The editorial intervention expands the setting to include the artist’s voice, photographs from the Sher-Gil family album, reviews from contemporary art critics, and excerpts from autobiographies and testimonies that touched Amrita’s life. There are fullcolour reproductions of 147 paintings by the artist, representing the largest such collection in print, as well as of her early sketches and watercolours. This archival effort makes for a definitive volume on the life, art and writings of Amrita Sher-Gil.
The book has a Foreword by Salman Rushdie; a Prologue and an Epilogue by Vivan Sundaram; a complete list of Amrita Sher-Gil’s 171 known oil paintings with thumbnail sketches and detailed captions; and a select bibliography of writings by and on Amrita Sher-Gil.
Vivan Sundaram, born in Shimla in 1943, studied at the Faculty of Fine Arts, MS University of Baroda, Vadodara, and the Slade School of Fine Art, London in the 1960s. He returned to India in 1970 and continued painting. Since 1990 he has turned to making artworks as sculpture, installation, photography and video. Vivan, himself a member of the Sher-Gil family, has been engaged with the Sher-Gil project over a thirty-year period, as curator, editor, archivist.
An exclusive interview with Vivan Sundaram see video
Related Title
Re-take of 'Amrita' |
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Review:
"All previous writing on Amrita and her art tantalized, inspired, raised questions, enthralled, exasperated-- while conveying only a pale shadow of her brilliant, many faceted self. These two volumes encompass all dimensions, and are deeply, deeply satisfying. There is sadness, delight and gratitude."
The Book Review
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